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natasha

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(no subject) [Apr. 17th, 2008|08:43 pm]
natasha
updated website!!
NatashaKaser.com




check it out!!
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(no subject) [Dec. 10th, 2007|09:05 pm]
natasha


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(no subject) [Dec. 10th, 2007|09:02 pm]
natasha


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(no subject) [Dec. 10th, 2007|08:57 pm]
natasha






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(no subject) [Dec. 10th, 2007|08:57 pm]
natasha






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(no subject) [Dec. 10th, 2007|08:50 pm]
natasha
















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(no subject) [Dec. 10th, 2007|08:47 pm]
natasha



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(no subject) [Dec. 10th, 2007|08:46 pm]
natasha




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(no subject) [Dec. 10th, 2007|08:28 pm]
natasha








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website! [Dec. 7th, 2007|07:39 pm]
natasha
new website!
NatashaKaser.com

check it!
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(no subject) [Apr. 12th, 2007|11:07 am]
natasha


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(no subject) [Mar. 23rd, 2007|12:29 pm]
natasha

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(no subject) [Mar. 10th, 2007|12:30 pm]
natasha
beautiful polaroid images!!!!!!

here:

http://svr84.ehostpros.com/~plrds84/plrdsfeatured.htm

and mike brodie:

http://svr84.ehostpros.com/~plrds84/plrdsbrodie14.htm


amaaaaaazing.
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(no subject) [Mar. 3rd, 2007|04:35 pm]
natasha

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(no subject) [Feb. 15th, 2007|03:30 pm]
natasha
Artist Statement for my recent work

My work deals with intimacy and nostalgia.
To me it speaks on a personal level about the idea of finding ‘home’ and trying to recreate a feeling that represents my idea of home. Growing up, my family moved every couple of years and by the time we settled down, the damage had been done. I no longer knew the definition of home, let alone was I able assign the idea to a certain place.
Now the question of home haunts me, and my photographs deal with how I look back and assess all the places of my past, and also how I concentrate on my current address, and how that factors into my concept of home.
Whether I am photographing the people that are currently dominant in my life in their intimate surroundings, or trying to recreate small essences of memories, I try to make all the images convey a hint of nostalgia and a sense of being adrift.
When trying to recreate the moments from my past, I try to do it ideologically rather than physically since the people and locations are no longer accessible. By looking in my current surroundings for something that reminds me of what I am trying to recreate, I end up fusing past with the present and I blur the line between what I have already been through, and what I am facing.
Most of the meaning of my photographs may be lost on the viewer who does not know of my intentions, and has not been through the same personal experiences that I have, so I try to seek out moments that will be aesthetically pleasing, therefore if the communication falters, at least there will be something pretty to look at. The scenes that I find the most attractive have natural light, so I try to work with and around the light and accommodate it as opposing to altering it. The result, I hope, is an image that is appealing, while still able to conjure up the impressions of nostalgia and intimacy.
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